نگارگری دیواری ساسانیان

• W. Andrae and H. Lenzen, Die Partherstadt Assur, Wissenschaftliche Veröffentlichung der Deutschen Orient-Gesellschaft 57, Leipzig, 1933.
• M. Azarnoush, The Sasanian Manor House at Hājīābād, Iran, Monografie di Mesopotamia 3, Florence, 1994.
• G. Azarpay, Sogdian Painting: The Pictorial Epic in Oriental Art, Berkeley, 1981.
• A. D. H. Bivar, “The History of Eastern Iran,” Camb. Hist. Iran III, 1, pp. 181-231.

Idem, “Cosmopolitan Deities and Hellenistic Traces at Kuh-e Khwāja in Sistan,” in Religious Themes and Texts of Pre-Islamic Iran and Central* Asia, ed. C. G. Cereti et al., Wiesbaden, 2003, pp. 1-5. Circle of Ancient Iranian Studies (CAIS), “Murals of Sasanian Imperial Family Unearthed in Gur – 18 February 2006,” available online* (accessed 20 July 2009).

• J. Cribb, “Numismatic Evidence for Kushano-Sasanian Chronology,” Stud. Ir. 19, 1990, pp. 151-93.

Cultural Heritage News Agency (CHN), “Discovery of Murals of Four Sassanid Princes in Gour City – 10 January 2006,” available online* (accessed 20 July 2009).

• Idem, “Figures of Four Sassanid Princes on a Mural in Gour City – 19 February 2006,” available online (accessed 20 July 2009).
• A. De Waele, “The Figurative Wall Painting of the Sasanian Period from Iran, Iraq and Syria,” Iranica Antiqua 39, 2004, pp. 339-81.
• K. Erdmann, “Eberdarstellung und Ebersymbolik in Iran,” Bonner Jahrbücher des Rheinischen Landesmuseums 147, 1942, pp. 345-82.

H. von Gall, Das Reiterkamfbild in der iranischen und iranisch beeinfluβten Kunst parthischer und sasanidischer Zeit, Teheraner Forschungen* 6, Berlin, 1990. H. Gasche, “La période Roman Ghirshman (1946-1967),” in Une mission en Perse 1897-1912: Les dossiers du Musée du Louvre, ed. N. Chevalier,* Paris, 1997, pp. 168-79.

• S. Ghanimati, “New Perspectives on the Chronological and Functional Horizons of Kuh-e Khwaja in Sistan,” Iran 38, 2000, pp. 137-50.
• R. Ghirshman, L’Iran: Des origines à l’Islam, Paris, 1951.
• Idem, “Cinq campagnes de fouilles à Suse (1946-1951),” Revue d’assyriologie et d’archéologie orientale 46, no. 1, 1952, pp. 1-18.
• Idem, Iran: Parthes et Sassanides, Paris, 1962.
• B. Goldman and A. M. G. Little, “The Beginning of Sasanian Painting and Dura-Europos,” Iranica Antiqua 15, 1980, pp. 283-98.
• F. Grenet, “La peinture sassanide de Ghulbiyan (Afghanistan),” Dossiers d’archéologie 243, 1999, pp. 66-67.

R. Gyselen and H. Gasche, “Suse et Ivān-e Kerkha, capitale provinciale d’Ērān-xwarrah-Šāpūr: Note de géographie historique sassanide,”* Studia Iranica 23, 1994, pp. 19-35.

• P. O. Harper, “Art in Iran, History of. v. Sasanian,” EIr, II, pp. 585-94.
• E. E. Herzfeld, Iran in the Ancient East, 2nd ed., Oxford, 1976.
• T. S. Kawami, “Kuh-e Khwaja, Iran, and its Wall Paintings: The Records of Ernst Herzfeld,” Metropolitan Museum Journal 22, 1987, pp. 13-52.
• Idem, “Ernst Herzfeld, Kuh-e Khwaja, and the Study of Parthian Art,” in Ernst Herzfeld and the Development of Near Eastern Studies, 1900-1950, ed. A. C. Gunter and S. R. Hauser, Leiden, 2005, pp. 181-214.
• J. Kröger, Sasanidischer Stuckdekor, Baghdader Forschungen 5, Mainz, 1982.

A. M. G. Little, “IV. Pictures. I. The Sasanian Fresco,” in The Excavations at Dura-Europos: Preliminary Report of the Fourth Season of* Work, October 1930-March 1931, ed. P. V. C. Baur et al., New Haven, Conn., 1933, pp. 182-99.

• V. N. Pilipko, “On the Wall-Paintings from the Tower-Building of Old Nisa,” Parthica 2, 2000, pp. 69-86.
• E. Porada, Ancient Iran: The Art of Pre-Islamic Times, London, 1965.
• R. V. Ricciardi, “Wall Paintings from Building A at Hatra,” Iranica Antiqua 31, 1996, pp. 147-65.
• D. T. Rice, Islamic Painting: A Survey, Edinburgh, 1971.
• B. Rowland, “The Dating of Sasanian Paintings at Bamiyan and Dukhtar-i Nushirvan,” Bulletin of the Iranian Institute 6, 1946, pp. 35-42.
• W. al-Salihi, “Mural Paintings from the North Palace at Hatra,” Mesopotamia 31, 1996, pp. 197-202.

K. Schippmann, “De invloed van de Sassanidische kultuur,” in Hofkunst van de Sassanieden: Het Perzische Rijk tussen Rome en Chine, 224-642,* Bruxelles, 1993, pp. 131-41.

• J. H. Schmidt, “L’expédition de Ctésiphon en 1931-1932,” Syria 15, no. 1, 1934, pp. 1-23.
• E. F. Schmidt and F. Kimball, Excavations at Tepe Hissar Damghan, Philadelphia, 1937.
• D. Shepherd, “Sasanian Art,” Camb. Hist. Iran III, 2, pp. 1055-112.
• M.-J. Steve et al., “Suse dans l’histoire,” in Supplément au Dictionnaire de la Bible, XIII, fasc. 73 (Paris, 2002), cols. 403-512.
• K. M. Trinkhaus, “Pre-Islamic Settlement and Land Use in Damghan, Northeast Iran,” Iranica Antiqua 18, 1983, pp. 119-44.
• J. M. Upton, “The Expedition to Ctesiphon, 1931-1932,” Bulletin of the Metropolitan Museum of Art 27, no. 8, 1932, pp. 188-97.
• “Wissenschaftliche Berichte: Ktesiphon,” Archiv für Orientforschung 8, 1932-33, pp. 331-32.